Mihoko Watanabe

Mihoko Watanabe

Associate Professor of Flute

Phone:765-285-5412

Room:MI 208


Flutist Mihoko Watanabe, a native of Japan, is an Associate Professor of Flute at Ball State University (BSU) and the chair of Entrepreneurial Music Certificate program. Prior to joining the School of Music, Dr. Watanabe taught at the University of Wisconsin Oshkosh, the Memorial University of Newfoundland and the University of Windsor, Canada.

A celebrated and versatile international performer, Dr. Watanabe has won competitions sponsored by both the Japan Flute Association and the National Flute Association (NFA), and has appeared in Japan, Israel, Canada, England, and USA as a recitalist, chamber musician, and concerto soloist. She is the founding member of the newly formed HIBIKI (Úč┐) Trio, comprised of BSU faculty (flute, viola, and harp). The Hibiki has been invited to College Music Society to present performance and lecture recital in 2015 and 2016 nationally. Also she is the member of the faculty woodwind quintet, the MUSICAL ARTS QUINTET (MAQ). The MAQ has been awarded the prestigious 2010 American Masterpieces grant from the National Endowment for the Arts to support a performance tour and CD, entitled “American Breeze, ” which was released in 2012 from Albany Records. She is a member of TRIO FLURINETO (flute, clarinet, and piano) at Ball State University. The TRIO FLURINETO has performed nationally at various universities, the 2010 NFA Convention, and 2011 International Clarinet Association Convention. Independent of her participation in BSU chamber ensembles, she is a founding member of TRIO PIACERE (flute, cello, piano), which has performed internationally, and a member of DUO VIVA (two flutes). In 2006, DUO VIVA recorded “Doppler Effect,” a CD released by and available from Little Piper. TRIO HARMONIA (flute, viola and piano), a new trio, has been invited to perform at the 2017 NFA Convention in Minneapolis, MN.

She has held several principle flute positions and performed with American and Canadian orchestras. Currently, she is the principal flutist of the Muncie Symphony Orchestra and has performed with the Indianapolis Symphony Orchestra and Fort Wayne Philharmonic. Previously, she has performed with Aspen Music Festival Orchestra, Lansing Philharmonic Orchestra, Farmington Area Philharmonic, Warren Symphony Orchestra, Pontiac-Oakland Symphony, Oshkosh Symphony Orchestra and Brevard Music Center Orchestra in US, and Windsor Symphony Orchestra and Newfoundland Symphony Orchestra in Canada.In 2012, she premiered From Days of Yore, a flute concerto written by Jody Nagle, with the Muncie Symphony Orchestra. In 2007, she was invited to perform CPE Bach Flute Concerto in d minor with Mr. Carmel Chamber Orchestra in Israel.

Dr. Watanabe has performed numerous performances, lecture recitals, panel discussions, and workshops at conferences nationally and internationally, such as the annual conferences of the National Flute Association (NFA), Deutsche Gesellschaft für Flöte e.V. (DGfF e.V.), British Flute Society, International Double Reed Society, International Clarinet Association, and College Music Society. Also, she has been invited to perform for regional flute festivals in USA.

Dr. Watanabe is an enthusiastic teacher and travels widely as a clinician, presenting masterclasses throughout the United States, Canada, and Japan. She has adjudicated at national and international competitions, Kiwanis Music Festival in Canada, Regional Flute Festival competitions in USA, and various NFA Competitions (Young Artist, Arts Venture, and Graduate Research). She was appointed to be on the faculty of the Brevard Music Center summer festival in 2005, and she has been on faculty of the Music for All Summer Symposium 2012, the Benefic Chamber Music Camp since 2013, and Fresno Opera & Orchestra Summer Academy since 20015. As a pedagogue, she was featured in the December issue of Flute Talk magazine in 2009.

In addition to being a gifted flutist, Dr. Watanabe is also devoted to the field of ethnomusicology, which she studied extensively at the University of Michigan. Her interest in Japanese traditional music led to a faculty development grant from the University of Wisconsin Oshkosh in order to research Kazuo Fukushima’s Mei for solo flute in Japan. Her research resulted in a feature article in the Spring 2008 issue of the Flutist Quarterly, and led to lecture recitals at the 2007 NFA Convention, the 2010 British Flute Association Convention in England, and the 2013 International Flute Festival at the Hochschele für Musik Freiburg in Germany. In 2011, her article was translated into Dutch and published in the Nederlands Fluit Genootschap’s Fluit, the official journal of the Dutch Flute Association. In 2013, the article was translated into German for the DGfG e.V.’s Flöte aktuell, official journal.

As advocate of Entrepreneurial Music Study, she has participated in Savvy Musicians in Action Workshop in 2015 and received the top prize “the 2015 SAVVY Arts Venture Challenge” with Janet’s band. In 2016, she was invited to give a presentation at the College Music Society National Conference in Santa Fe, NM, and at the National Association of School of Music (NASM) Conferences in Dallas, TX, in 2016.

Dr. Watanabe has served as the president of the Greater Indianapolis Flute Club 2010-2013 and currently is a member of the following NFA committees: oral history and archive, and research.

Dr. Watanabe received her doctoral degree from the University of Michigan, her master’s degree and performer's certificate from the Eastman School of Music, and her bachelor’s degree from the Musashino Academia Musicae in Tokyo. Her teachers have included Bonita Boyd, Leone Buyse, Fenwick Smith, Takao Saeki, and Ervin Monroe. She also attended Aspen Music Festival, Julius Baker’s Summer Masterclasses, Orchestral Institute, and Domaine Forget International Music and Dance Academy. Additional study include with Emmanueal Pahud, Julius Baker, Jeanne Baxtresser, Jeff Zook, Alain Marion, Brad Garner, Martha Aaron, Mark Sparks, and Jean Morin.


Course Schedule
Course No. Section Times Days Location
Senior Honors Projec 499 30 0000 - 0000
Small Ensemble (Wood 130 01 0000 - 0000
Major Study 200 01 0000 - 0000
Major Study 200 01 1200 - 1350 M MI, room 104
Major Study 200 01A 0000 - 0000
Major Study 200 01A 1200 - 1350 M MI, room 104
Major Study 200 01B 0000 - 0000
Major Study 200 01B 1200 - 1350 M MI, room 104
Major Study 200 01C 0000 - 0000
Major Study 200 01C 1200 - 1350 M MI, room 104
Principal Study 201 01 0000 - 0000
Principal Study 201 01 1200 - 1350 M MI, room 104
Principal Study 201 01A 0000 - 0000
Principal Study 201 01A 1200 - 1350 M MI, room 104
Principal Study 201 01B 0000 - 0000
Principal Study 201 01B 1200 - 1350 M MI, room 104
Principal Study 201 01C 0000 - 0000
Principal Study 201 01C 1200 - 1350 M MI, room 104
Secondary Study 202 01 0000 - 0000
Secondary Study 202 01A 0000 - 0000
Minor Study 203 01 0000 - 0000
Minor Study 203 01 1200 - 1350 M MI, room 104
Minor Study 203 01A 0000 - 0000
Minor Study 203 01A 1200 - 1350 M MI, room 104
Junior Recital 397 01 0000 - 0000
Major Study 400 01 0000 - 0000
Major Study 400 01 1200 - 1350 M MI, room 104
Major Study 400 01A 0000 - 0000
Major Study 400 01A 1200 - 1350 M MI, room 104
Major Study 400 01B 0000 - 0000
Major Study 400 01B 1200 - 1350 M MI, room 104
Major Study 400 01C 0000 - 0000
Major Study 400 01C 1200 - 1350 M MI, room 104
Principal Study 401 01 0000 - 0000
Principal Study 401 01 1200 - 1350 M MI, room 104
Principal Study 401 01A 0000 - 0000
Principal Study 401 01A 1200 - 1350 M MI, room 104
Principal Study 401 01B 0000 - 0000
Principal Study 401 01B 1200 - 1350 M MI, room 104
Principal Study 401 01C 0000 - 0000
Principal Study 401 01C 1200 - 1350 M MI, room 104
Small Ensemble (Wood 430 01 0000 - 0000
Performance Career S 496 1 0000 - 0000
Senior Recital 498 01 0000 - 0000
Performance Career S 596 1 0000 - 0000
Primary Area Study 700 01C 0000 - 0000
Applied Recital Stud 710 01 0000 - 0000